STUDIO CD

ALENA SMITH: PADDINGTON RESIDENCE

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

ALENA SMITH: PADDINGTON RESIDENCE

A heritage haven of quiet luxury linking salvaged sandstone and fine architectural lines  inspired a natural and autumnal palette. Additions sourced from local passionate galleries and generous suppliers catering for clients with visual interest. Balanced with monochromatic details an absolute modern sophisticated retreat.

Belle Magazine Carli Philips ‘erra firma hues and a muted palette bring this house back down to earth’

Interior Design: Alena Smith Interior Design
Styling: Claire Delmar
Builder: Grosser Constructions
Photography: Anson Smart
Featured:Belle Magazine Australia


MEET OUR PEOPLE — with Marisa Purcell

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Meet our People — Marisa Purcell

Interviewer: Claire Delmar 

 In this edition of "Meet Our People," we sit down with the incredibly talented Marisa Purcell, a visionary artist whose work transcends the boundaries of imagination. Joining us for a candid conversation is the insightful interview, we delve into Marisa's artistic journey, philosophy, and the exciting projects on her horizon.

How did you get involved in the design industry, and what have been the biggest influences on your design style?

Marisa Purcell: I always longed to be an artist since I was small - but I thought that dream was for other people. So a yearning took hold of me, it was like a private passion. Devouring every book and exhibition I could get hold of and constantly playing with materials until I taught myself how to make something I liked. I was drawn to fiction and stories that hinted at the unknown and the ambiguous. I think the attraction to art was an understanding that this language could provide a space for me to live the life that I want to live.

How would you describe your design philosophy and approach? In what ways do you apply these in your work?

Marisa Purcell: My philosophy to making paintings is to have faith that the painting will direct itself. Its about having a trust in the thinking, research and experience that has come before and watching all of that unfold as you engage in the very uncertain practice of painting.

Where do you find inspiration for your designs?

Marisa Purcell: Inspiration comes from everywhere really. I'm especially drawn to light - how it falls on objects, both in nature and the built environment. I love shadows and transparencies. I constantly take photographs of windows and their reflections. The inspiration comes from a synthesis of all of these types of images, combined with things from books I love, music I hear and films I watch.

What new design trends should we be watching? Are you a fan of trends or timeless designs?

Marisa Purcell: I look at everything - art from ancient cultures up until contemporary art. I love the timelessness of Fra Angelico frescoes, eastern textile designs to modernist mid century American painting. I think it's important for an artist to have a firm grasp of art history and how we tend to repeat and add, then repeat and add some more. its all constantly evolving and as an artist I'm excited I get to add to the discourse.


How do you approach collaborations and commissions with clients?

Marisa Purcell: I love working on a body of work for an exhibition that is solely coming from my own inspiration. I let the work emerge until it feels like a whole - there's a conversation between the paintings and it answers some of the questions I have posed. with commissions, I tend to show clients previous work and get them to talk to me about several of their favourites. Its important I know their reasons why they are drawn to particular things- whether it’s the subtleties of the contrasts of colours, the scale, or the composition. I then embark on a unique work for that client that keeps in mind all their comments. it’s an entirely different process to making something up out of the blue - sometimes it’s harder, but I like how it consolidates my thinking. it reinforces something that may have evolved from chance and therefore helps me to understand my own process.

What's on the horizon for you and your business?

Marisa Purcell: As I am not currently represented by a gallery, I am free to take on various projects that will push me outside of the commercial gallery space. Public Art projects and partnerships with Architects and designers are my present focus. I do have a solo exhibition coming up next year at Hugo Michell Gallery in Adelaide which I'm very excited about. It's an amazing gallery and I can't wait to make some exciting new work for the space.

What aspect of your business do you love the most?

Marisa Purcell: I love the freedom of creating something from nothing - every day feels different as I never plan my work. I just start painting and its always a surprise where a painting takes me.

As an industry leader, what advice would you offer anyone aspiring to establish a career in a design-related field?

Marisa Purcell: The most crucial thing is to commit yourself to your practice. and turn up each day, even when you don't feel like it. Have an insatiable curiosity, work really hard, and keep refining your work until your craft is uncompromisingly good!

As an industry leader, Marisa’s advice for aspiring designers—to dedicate themselves to their practice, nurture curiosity, work diligently, and consistently refine their craft for excellence—is truly inspiring.

Thank you, Marisa, for sharing your insights with us.


THE EDIT: Marisa Purcell


THE EDIT: Christmas Edition

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT: Christmas Edition — Chrome Christmas

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT

A CHROME CHRISTMAS


In this festive season, Claire Delmar presents the Chrome Christmas Edit, a handpicked collection of gleaming pieces sourced from a selection of our favourite brands. These metallic wonders promise to infuse a touch of sophistication into your space.


THE EDIT: Christmas Edition — Seeing colour

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT

SEEING COLOUR


Claire Delmar brings a burst of vibrancy to the holiday season with the Colour Edit in this year's Christmas collection. Carefully chosen from a selection of our cherished brands, these pieces add a playful and lively touch, transforming any space.


MEET OUR PEOPLE — with Rachel Donath

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Meet our People — Rachel Donath 

Interviewer: Claire Delmar 

In the world of design, finding one's unique style and maintaining a timeless approach can be a challenge. Rachel Donath, a design expert who transitioned from a corporate career to pursue her passion, shares her insights into the industry. In this exclusive interview, Rachel takes us on a journey through her design philosophy, inspirations, and the essence of her creative process.

How did you get involved in the design industry, and what have been the biggest influences on your design style?

Rachel Donath: After 15 years in the corporate world, it was time to follow my heart, so I decided to start sharing my antique and vintage finds with my very small Instagram community. The business grew from there with the opportunity to create my own pieces and start my own design brand. I am influenced by architecture, by art, by sculpture, by nature.

How would you describe your design philosophy and approach? In what ways do you apply these in your work?

Rachel Donath: At the heart of my business is an ethos that recognises the artful characteristics in furnishings. I like to think that I approach design through this sense too - looking at form and shape when developing new collections and editions.

Where do you find inspiration for your designs?

Rachel Donath: I love trawling through very old auction catalogues, antique markets, architecture and design books. I can see a cornice on an old ceiling, and this shape can be the beginning of a mirror or a side table. Inspiration really is everywhere.

What new design trends should we be watching? Are you a fan of trends or timeless designs?

Rachel Donath: Timeless 100%! I pay no attention to trends, both in fashion and also at home. I admire those who stay true to their personal style and aim to create spaces that reflect their own unique personalities. Timeless always wins when it comes to choosing pieces that speak to the heart.


How do you approach collaborations and commissions with clients?

Rachel Donath: The vast majority of our clients are in the design space, and we are often approached to create customisations on existing products to fit a project brief or vision. I relish in the opportunity to work with fellow creatives; there is so much to learn from working collaboratively, and the outcome always blows me away.

What's on the horizon for you and your business?

Rachel Donath: As a business, we are creating intentionally. We are not a seasonal or 'fast fashion' business. On the horizon are ventures into new categories, improved sustainability initiatives, and improved accessibility to our brand through worldwide stockists.

What aspect of your business do you love the most?

Rachel Donath: I love creating and scheming, mixing materials in new and surprising ways. I'm in my element surrounded by swatches and samples, where the opportunities for design and creation are endless. This is my version of a kid in a candy store!

As an industry leader, what advice would you offer anyone aspiring to establish a career in a design-related field?

Rachel Donath: I would say think less and do more. We often get stuck in planning and trying to map out every detail. I would say just start, start small, lead with heart, and see where your passion will take you!

Rachel Donath's journey from the corporate world to the realm of design is a testament to the transformative power of following one's passion. Her dedication to timeless design, collaboration, and intentional growth sets an inspiring example for budding designers. With her insightful guidance, aspiring designers can take their first steps toward a fulfilling and creative career in the design industry.


THE EDIT: Rachel Donath


THE LINE SERIES — Claire Delmar x Lo & Co

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE LINE SERIES 

CLAIRE DELMAR x LO & CO INTERIORS

We are thrilled to introduce you to The Line Series — in collaboration with Lo & Co Interiors.
This collaboration with Lo & Co resulted in a collection of handles inspired by organic forms and modern design. The "Outline" and "Inline" handles draw inspiration from both personal experiences and architectural expression.

The design journey of this collaboration encompassed pen-and-paper sketches, 2D and 3D modelling, and collaboration with Lo & Co for production. Signature materials include organic tumbled brass and tumbled nickel. These handles are intended for architects, interior designers, stylists and homemakers seeking bespoke, standout pieces for their projects.

The design philosophy combines clean lines with distinctive elements, making these handles both functional and visually intriguing.


AUSTRALIAN INTERIOR DESIGN AWARDS SHORTLIST 2023

Claire Delmar

The Australian Interior Design Awards recognise and celebrate interior design excellence and we're thrilled that seven of our styling projects, from Australia's leading creative studios, have been shortlisted for this year's illustrious award.

We extend our biggest congratulations to a select group of our esteemed clients who have earned well-deserved recognition as finalists.

These outstanding projects include:


THE ESTATE — LUKE MOLONEY ARCHITECTURE

Styling by Claire Delmar
Architecture by Luke Moloney Architecture
Photography by Tom Ferguson


NO MAD — ALEXANDER & CO

Styling by Claire Delmar
Architecture and interior design by Alexander & Co.
Photography by Anson Smart


WURRUNGWURI — CARTER WILLIAMSON

Styling by Claire Delmar
Architecture & interiors by Carter WIlliamson
Photography by Pablo Veiga


LIGHTHOUSE — SMAC STUDIO

Styling by Claire Delmar
Interior design by SMAC Studio

Photography by Dave Wheeler


1885 HOUSE – ARENT & PYKE

Styling by Claire Delmar
Interior design by Arent&pyke
Photography by Anson Smart


HEARTH HOUSE – ARENT & PYKE x LUIGI ROSSELLI ARCHITECTS

Styling by Claire Delmar
Interior design by Arent&pyke

Architecture by Luigi Rosselli Architects
Photography by Prue Ruscoe


SALSA VERDE – ARENT & PYKE

Styling by Claire Delmar
Interior design by Arent&pyke
Photography by Anson Smart

BELLE MAGAZINE: Grand Georgian

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Discover the exquisite transformation of the Grand Georgian residence in Double Bay, artfully reimagined by the talented Carla Barton, as seen featured in the latest copy of  Belle magazine .

This space exudes a timeless sophistication, seamlessly blending transitional interior design with the ever-evolving world of interior aesthetics, embracing a 'Classic Modernist' ethos.

We were delighted to be part of this project, curating furniture and artwork that perfectly complement and enhance the overall style of the space. 


BELLE MAGAZINE: Hearth House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

It’s a special feeling seeing our interior styling work, on the cover and throughout the pages, of the iconic Belle magazine’s October issue. 

In collaboration with Luigi Rosselli Architects and interior designers Arent&Pyke, the Studio CD team brought in the last layer of design to complete the vision of creating a warm and immersive residence.

The Federation-style family home for six on Sydney’s Lower North Shore has been sympathetically redesigned and features a luxurious sanctuary in the form of a sunken lounge.


THE EDIT: MILAN

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

We had the privilege of immersing ourselves in Salone del Mobile, which serves as the focal point of Milan Design Week where the world's most innovative and visionary minds gather to showcase some extraordinary creations.

From creative discourses that really speak to the Claire Delmar brand, tours through artists' homes, and hearing their enthusiasm around each piece of their collections. The experience left us feeling invigorated and provided us with a renewed perspective in the industry, fuelling our excitement to incorporate these exquisite artworks into our upcoming projects.


Tap below to see Claire's highlights from the event.


VOGUE MAGAZINE: Wurrungwuri House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

We have loved seeing Project Wurrungwuri throughout the pages of Vogue living this month.

Renowned architects Carter Williamson have masterfully blended a heritage waterfront cottage with a contemporary extension, placing a strong emphasis on light, connectivity, and artistic design.

In harmony with their vision, our styling pieces were carefully selected to enhance the space, striking a balance between high-end elegance and a warm, inviting atmosphere, creating the perfect setting for socializing.


Architecture and Interior Design by Carter Williamson
Photography by Pablo Veiga
Styling by Studio CD by Claire Delmar

 "Light, connection and artful language formed the FOUNDATIONS for design firm Carter Williamson in linking a heritage waterfront collage with its CONTEMPORARY extension counterpart"
– Virginia Jen


BELLE MAGAZINE: Tamarama Hill House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

The exquisite Tamarama Hill House, a coastal haven built with the modern urban family in mind, was beautifully captured in the pages of Belle Magazine Australia.

Tamarama Hill House reflects the unique needs of a family with two teenage children. With its welcoming ambience and exceptional attention to detail, this home is the epitome of coastal luxury living. 


Architecture and Interior Design by Alexander and Co
Photography by Anson Smart
Styling by Studio CD by Claire Delmar

"A savvy mix of beach cool and urban chic elevates this Sydney penthouse apartment and enhances the appeal of its sparkling water view”
– Judy Pascoe


BELLE MAGAZINE: KYLE BAY HOUSE

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Inspired by Brazilian modernism, maximalist interior designer Greg Natale has brought his trademark clashing patterns and bold layering to his Kyle Bay project. Our response was to meet the strong brutalist architecture and artful interiors with highly sculptural, mid-century-inspired pieces and a vibrant colour palette.


Interior Design by Greg Natale.
Photography by Anson Smart.
Styling by Studio CD.

“A maximalist aesthetic against minimalist lines – that juxtaposition is at the heart of what I do."
– Greg Natale

The three-storey, five-bedroom house sits comfortably among the greenery in the southern Sydney suburb of Kyle Bay and overlooks the Georges River. Its inverted floor plan suits its cliffside setting, with bedrooms on the top floor, kitchen, dining and living areas on the second floor and a generous bar area on the lowest floor leading out to an expansive pool deck. Concrete assumes a decorative and structural role. Off-form slabs create an appealing grid effect on the house’s exterior and continue inside, where the tie holes, filled with brass, seem to draw their warmth from the American walnut floors.

– Fiona Daniels, Belle Magazine


HOUSE & GARDEN: HARBOUR HOUSE

Claire Delmar

Taking its cues from the exuberant 1980s, Studio Gorman transformed this light and airy home into a retro-inspired, contemporary family home. We delighted in integrating a nostalgic palette of bright colours and playful decor to add to the fun, curvy interiors.


Interior Design by Studio Gorman.
Photography by Prue Ruscoe.
Styling by Studio CD.

"Miami encapsulated the cool 1980s feel perfectly and we moved in that direction. Art Deco also influenced that era, which, in turn, influenced this home.” – Suzanne Gorman, Studio Gorman

The owner of this six-bedroom home on Sydney’s Lower North Shore adores the exuberant 1980s, with its signature pastels and puffed-up furniture. So it was love at first sight when she encountered this largely untouched relic of the decade back in 2018. “The aspect and light were amazing,” says the owner. “It immediately felt like home.” With its sweeping curves, pink palette, porthole windows and solid construction, it was the architectural equivalent of a power suit (with shoulder pads).

– Chris Pearson, House & Garden Magazine


BURNLEY MALTINGS

INTERIOR STYLINGClaire Delmar

Housed in a historic maltings factory with views across Melbourne’s Yarra River, this project balances contemporary living within a heritage-protected landmark building. Our approach was to specify an eclectic and unique mix of decor pieces to create ambience and highlight the existing historical features of the property.

Architecture Freadman White.
Photography by Elizabeth Clancy Photography.
FF&E and styling by Studio CD.

Established in the late 1800s as Terry’s Burnley Brewery, the site later became the Barrett & Burston Maltings. Unique in character and the opportunity it offers to residents, Burnley Maltings is rich in craftsmanship and industry. Its heritage remains protected and honoured within a respectful architectural vision as it adds a new chapter to its long story. – Burnley Maltings


ELLE DECOR ITALIA: THE ESTATE

INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

A sprawling 1880s homestead in rural NSW has been transformed into a sustainable, design-savvy home by Luke Maloney Architecture. Embracing the home's historic past and looking to the future, we focussed on enhancing the traditional features of the home by juxtaposing shapes and lived-in textures with an antique colour palette.


Architecture by Luke Maloney.
Library Furniture Collaboration Arent & Pyke.
Photography by Tom Ferguson.
Styling by Studio CD.

"Architectural lighting and high-tech appliances create a fresh contrast
with the original stuccos, bringing into dialogue the charm of the home's history, with the rigour of modernity."

Built in 1880 for an important farming family, 'The Estate', as it is known today, was once the heart of a large farm made up of stables, vegetable gardens and cultivated fields, housing the workforce and even a general store intended for the sale of basic necessities to European settlers in the area. Belonging to the same property for more than a century, it was acquired by a young couple with two children who longed for a life away from the hustle and bustle of the city. The company to renovate it, make it habitable and transform it into a sustainable home, was entrusted to architect Luke Moloney.

– Elle Decor Italia


CELEBRATING THE YEAR THAT WAS

Claire Delmar

2022 has been an incredibly busy and fulfilling year for Studio CD.  It's so nice to pause and reflect on the incredible range of award-winning, noteable projects we've been a part of this year. We're now looking forward to enjoying a summer break and can't wait to share more of our projects and collaborations with you in the new year.

We want to thank you for your ongoing support over the past twelve months and wish you all a very Happy Christmas and a restful holiday period.

The Studio CD Team 


Image credits Architects: Brian Zulaikha & Colbee Wright. Builder: Bright Build Constructions.
Styling: Studio CD. Photography: Anson Smart.

HOUSE & GARDEN: CHISHOLM HOUSE

EDITORIAL STYLING, INTERIOR STYLINGClaire Delmar

Employing a restrained palette of timber, concrete, zinc and brick, Architectsmith's Chisholm House on Sydney's Northern Beaches exemplifies Australian living with an enviable series of inside-outside connections. We employed a collection of handmade objects and soft, natural tones to bring harmony to each space and further invite the home's lush surroundings into the home.

Featured in the November edition of House & Garden magazine.


Architecture Architectsmith
Interior design by Editor Interiors
Photography by Pablo Veiga
Styling by Studio CD.

"We really wanted every room to have a connection to nature, whether it was a view of water or bush or a deck or terrace to wander out onto."
– Bianca Martin, Editor Interiors

Located on a steep vegetated spur with a unique sunrise-to-sunset aspect, Chisholm house in Sydney’s Northern Beaches is designed to simultaneously ground and elevate. Concrete, brick, zinc and Australian hardwood work together to achieve both density and lightness, and varied inside outside connections.
Architectsmith


HOUSE & GARDEN TOP 50 ROOMS

Chisholm House was also awarded Best Laundry in the recent House & Garden Top 50 Rooms 2022 awards, and finalists in indoor-outdoor connection.


VOGUE LIVING: NOMAD

EDITORIAL STYLING, INTERIOR STYLINGClaire Delmar

Housed within a former commercial site, this exceptional home by Alexander & Co was to retain its industrial-style aesthetic, while balancing comfortable family living. Starting with an expansive blank canvas, we introduced an enviable collection of designer furniture, art and decor pieces to each space to further embellish the robust, textural finishes and pared-back colour palette.


Architecture and interior design by Alexander & Co.
Photography by Anson Smart.
Styling by Studio CD.

“When I came into the space, the scale was surprising. It had quite a beautiful cinematic gallery style and the space was really amazing.” – Jeremy Bull, Alexander & Co.

Our way of life seems to be determined by what’s outside. Australians usually aim to craft homes that overtly connect to their surroundings, welcome the great outdoors in and blur the boundaries between inside and out. But there are always exceptions and this inner-city Sydney apartment by Alexander &Co is a particular exception. Not only did it present as a former commercial site with a highly covetable industrial-loft feel, it was this very sparse, harsh-in-parts minimalist aesthetic that won over its owners, a professional couple who had spent the past decade in New York, and between Melbourne and Sydney.
Vogue Living